Browse Items (35 total)

Every motif in this border fragment is either interlocked with another version of itself or is shaped so that it could be, which epitomizes the concept of interlockedness or reciprocity, ayni. Starting from the top are a band of curling snakes,…

Tinku, the way that two things can come together to produce a third, is a key Quechua concept. While the rows of tiny woven monkey motifs on the piece at left, barely an inch tall each, are very charming and impressive, they are out of place…

Throughout history imitation has been seen as “the sincerest form of praise” and the ancient Andes is no exception. Here featherwork is imitated in woven textiles, tapestry in particular. In this tiny piece, the quills are delineated, the ends…

The Inka category of qumpi, or highest-status cloth, included elaborate objects that nevertheless fulfilled various functions, from combs to slings such as this, created and used primarily for warfare. Made with brightly colored camel hair thread…

A writing device—fulfilling the communicative purpose of recording and transmitting knowledge among trained individuals over time—the Inka khipu can take a number of forms (a mono- and polychrome example). In the ways that a handwritten poem…

The two fragments of this tunic from the far north coast of Perú are shown with the larger remaining portion facing out and the smaller one showing the side worn toward the wearer’s body. In other words, the whole tunic was covered with red…

Writing—recording information in a format that others at the time and later can decipher—was accomplished by the Inka Empire of South America using thousands of knotted string devices known as khipu. In the Carlos collection there are two other…

The textile artists of the ancient Andes, such as the Chancay of the central coast, invented nearly every known fiber-working technique, including the unique embroidered openwork seen at left and right. While it may resemble lace, it is first loosely…

Unlike today’s synthetic dyes that can produce any color— whether dark, light, or even florescent—in pre-Industrial times certain hues and values (colors and their relative darkness) were more difficult to attain than others. Using natural…

These fragments of an innovative and unique technique date to ca. 200 AD and were made by the Nasca. They originally belonged to the same mantle, but ended up in two different university museum collections: Emory’s (the larger fragment) and…