Threads of Time: Tradition and Change in Indigenous American Textiles

Browse Items (33 total)

  • Collection: Modern Guatemala

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As weavers learn from their elders, practice, and become highly skilled, some of the most proficient are able to tie-dye threads so that they spell words, people’s or place’s names, and sometimes even phrases. These are perhaps the most…

2009_042_012_E_SCR (1).jpg
As weavers learn from their elders, practice, and become highly skilled, some of the most proficient are able to tie-dye threads so that they spell words, people’s or place’s names, and sometimes even phrases. These are perhaps the most…

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This wedding ensemble from early 20th century Totonicapán consists of a white huipíl (blouse), a blue corte (skirt), and a colorful faja (belt). Some white-on-white patterning is common among festive clothing, particularly wedding ensembles.…

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As a Maya weaver, or more often an entire traditional indigenous family, takes on more intricate designs for jaspé cloths, the planning and execution become accordingly more challenging. Even machine-made examples, such as this skirt involve…

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This miniature woman’s blouse was woven for a wooden santa (female saint figure) to wear as she stood or sat on an altar in a Catholic church in San Pedro Sacatepéquez. Dressing saints in traditional Maya attire is an obvious way in which the…

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This seemingly innocuous blue cloth with animals in red and yellow embroidery is called a pisbal kotsih. It resembles many of the other general-purpose cloths used by the Maya to carry babies, food, place on the head to protect from sun and cold,…

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More complex patterns are made with tie-dyed threads only in the warp direction, in the piece at left. For a motif with curves the tying off before the dyeing takes considerably more time to accomplish, and precise planning and manual dexterity…

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Made in a very small farming village, Santa Lucía Utatlán, this wedding blouse displays clear Spanish elements. Departing from traditional choices, this wedding huipíl has only two panels instead of the usual three. It also incorporates an…

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This huipíl is exemplary of early 20th century style blouses made in Chichicastenango. The sun pattern is actually sewn on by the weaver’s husband, as the sun is considered the masculine spiritual force. The black fabric circles represent the…

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This blouse, woven in the 1920s, ranks as the finest Maya textile in the Carlos collection, with its expanse of the natural brown cotton, the darker shade known as cuyuscate and the slightly lighter one ixcaco. Its deep purple-maroon-pink…
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