Browse Items (254 total)

Maya huipíles, indigenous women’s rectangular blouses, vary from one town to another in Guatemala. Weavers from the town of Chimaltenango, in north-central Guatemala, expresses their ethnicity in very skillfully brocaded pieces, with rows of bold…

This faja, Spanish for belt, represents the extreme intertwining of tradition and change found in contemporary Andean weaving. It is woven with neon-bright polyester thread, yet in a doublecloth technique common during the pre-Hispanic period.…

A santo’s traje, or traditional dress, is complete with a wide faja (belt) such as this striped one. Although most Maya men adopted Hispanic dress, fajas remained one of the few indigenous garments worn by men into the present. This red belt includes…

Writing is incorporated into this contemporary cut-and-sewn dulemola made by the Guna people from the northern coast and Caribbean islands off Panamá. In the top center a version of the letters “IHS” can be seen, the monogram abbreviated from IHΣΟΥΣ,…

The modern and contemporary women of the north coast and offshore islands of Panamá, the Guna (previously Cuna or Kuna), incorporated the European scissors and machine-made cloth in the 19th century to make a remarkable new “traditional” blouse. It…

Commercial products, such as the Trix™ cereal rabbit mascot which debuted in 1959, have crept into contemporary dulemola creativity. The icon of this sugary children’s cereal was a trickster figure always trying to steal the cereal from children and…

This contemporary dulemola features multiple small pieces of cloth sandwiched between the black top cloth and the orange base one, maximizing the number of colors of the twenty-eight spiral patterns. They are subtly subdivided by the clever way the…

Guna blouse panels are made from machined cloth and commercial thread first introduced by missionaries and now widely available. However, the elaborately cut and sewn patterns are only possible using the sharp scissors the missionaries also brought…

The dulemola panel features two churches, a subject that is obviously not “traditional” since the Guna religion was and continues to be shamanic and nature-based. Yet, according to dulemola artists, equal-armed cross shapes stand for the top lashed…