Threads of Time: Tradition and Change in Indigenous American Textiles

Browse Items (254 total)

2009_042_028_Hpa_SCR.jpg
This huipíl is exemplary of early 20th century style blouses made in Chichicastenango. The sun pattern is actually sewn on by the weaver’s husband, as the sun is considered the masculine spiritual force. The black fabric circles represent the moon.…

2009_042_047_Cpa_SCR (1).jpg
This blouse, woven in the 1920s, ranks as the finest Maya textile in the Carlos collection, with its expanse of the natural brown cotton, the darker shade known as cuyuscate and the slightly lighter one ixcaco. Its deep purple-maroon-pink brocading…

L2016_033_001_D_SCR (1).jpg
A more recent blouse panel combines the long-practiced technique of cut, folded, and sewn patterning with actual appliqué, the sewing of additional shapes on top. The lozenge shapes are made in the traditional way, cutting through and folding back to…

L2016_014_001_E_SCR (1).jpg
The Aymara people who inhabit the regions around Lake Titicaca in Bolivia and Perú have been noted for their masterful use of color since they were incorporated into the Inka Empire during the 1400s. Newer techniques, such as k’isa, developed in the…

1992_015_288_Bpa_SCR.jpg
This belt dates from between 1000 and 1450 AD. It represents continuity within the long tradition of finely woven belts made in warp-face techniques. It is similar, but not identical, to the complementary techniques used in the 20th and 21st century.…

2002_001_126_Cpa_SCR.jpg
Due to the dry climate of the ancient Andes, thousands upon thousands of textiles were preserved from antiquity, as well as weaving and spinning tools and balls of yarn, often accompanying the deceased. Both elaborating these tools and then burying…
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