Tinku, the way that two things can come together to produce a third, is a key Quechua concept. While the rows of tiny woven monkey motifs on the piece at left, barely an inch tall each, are very charming and impressive, they are out of place…
Every motif in this border fragment is either interlocked with another version of itself or is shaped so that it could be, which epitomizes the concept of interlockedness or reciprocity, ayni. Starting from the top are a band of curling snakes, their…
A fragment of a Wari tapestry tunic was originally along the side seam of a four-foot square garment. However, even this small fragment illustrates several important concepts and aesthetic choices made over 1300 years ago in the Andes. The…
This tiny bit of a very fine tapestry is all that is left from a Tiwanaku-style textile dating to around 600 AD. It features a human arm and hand grasping some kind of a staff, facing right. It was once connected to a very complex body with wings and…
Although this piece is also only part of a larger composition, nevertheless it is very revealing. Here the intentional color surprise is the bright pink background for the yellow bird toward the top right corner. No other instance of such a color is…
Though this is only a small portion of the original composition, even in this fragmentary state the amount of thread that floats over the surface of the ground cloth is amazing. The cloth is the greenish brown that is now functioning only as the…
This brocaded cloth features a supernatural pelican-man. Still bright after over five hundred years, scarlet highlights the standing figure’s face and the many little pelicans that sit on his arms and emerge magically from/as his body. The two…
Indigenous Amerindian clothing has almost always been woven to shape or constructed from complete parts united in the final garment without recourse to cutting the cloth. This ancient textile, which could have had many other pieces sewn alongside…